Scrappy Dresden Plates

If ever a block called out for scraps it has to be the Dresden Plate in all its guises. Each petal only uses a tiny piece of fabric (especially when making 6 inch blocks) and they can all be different. Even when you use the same fabric more than once in a block you still won’t need a huge piece. Here’s one Chris made earlier (although it has to be said – Barbara did the hand applique!)

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The blocks are six inch squares and have the same orange fabric for the centres but the petals are scraps of blues or yellows.

Another tiny one waiting to be finished (at some unspecified time in the distant future) is this little yellow scrappy one – lots more petals and pointed ones this time

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but note that it has quite a large centre circle (or it will have one day).

You can use fabric strips to cut your petals from – these were jelly roll strips but any scrap strips will do. This block is about 16 inches square.

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Who says your centre has to be a circle? Here are a couple of examples from Chris’s students

You can have a lot of fun changing the size of the centre, or the size and shape of the petals as you can see from these other examples from students work

Normally when making a Dresden Plate you stitch the petals into pairs then the pairs together as you build up the units until you just have two halves to join – and hope it all lies flat – as in these two examples.

But you can ‘cheat’ and use fusible web with satin or zig-zag stitch instead

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and, if you have a large enough scrap you can even ‘fussy cut’ some of the petals and/or the centre.

Over on our sister blog Meadowside Designs there is a whole series running on different Dresden Plate designs – they are all 16-petal ones and you can download the templates to make 12 inch blocks. Pop over there, have a read – its been running for a couple of months now so scroll through to find all the posts – and follow the links to the tutorials and the templates.

Scrappy Sundays – in the pink

Barbara is still stuck in the groove of looking at vintage quilts that link to our Scrappy theme and this is her latest offering.  It’s an interesting US quilt dating from maybe 1890s with some earlier fabrics.  The block is a C&B favourite and we refer to it as Sawtooth Star.  There’s a real mix of scraps in this quilt and plenty of piecing of scraps together to make bigger scraps as you can see from some of the details below.  The scrappy hand pieced blocks have been set with alternating squares of a classic “double pink” print which becomes dominant by repetition.  A great example of pulling random scrappiness together into a coherent whole.  Diagonal lines of machine stitching hold top and back together, edges are bound.  If you feel inspired to try something similar with your own scraps you’ll find a pattern guide for this quilt over on our sister blog Meadowside Designs – look under the Heritage Quilts tab.

Scrappy Sundays – machine hexagons

Chris has been loving the pictures of Barbara’s  hexagon ideas and vintage quilts, but . . . . they are all hand-pieced – which Barbara loves doing and Chris cannot get her head (or more importantly: hands) around.

But it is possible with a bit of thought to make hexagon-style quilts by machine without having to do those dreaded Y-seams. How? By splitting the hexagon into half or into triangles. Ann Jermey started Chris off with her quilt – Hidden Hexagons

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There was also a craze for cutting up cushion panels and rearranging them – a sort of ‘stack and wack’ precursor – which led Chris to make this little wallhanging

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There were probably six cushion panels to start with which were then cut into 60degree triangles which were arranged to make hexagon kaleidoscope-style designs with the remaining triangles filling in the gaps. You can see a little better from the close-up photos

half hexagonsAnn’s hexagons were made from strips split on a 60degree angle but you could just just make half hexagons and join them in strips to make a honeycomb-style quilt on the machine.

Making your hexagons from triangles however opens up all sorts of new design opportunities. Instead of joining the triangles into hexagons as you would if hand-piecing though you need to think and plan ahead – a design wall or pet-free floor helps here so you can lay all the pieces out – as you will be stitching  row by row.

You can now make Tumbling Blocks

or even Tumbling Boxes by machine

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You can see in the first picture that the gaps were filled with plain triangles, by the second and third ones these had been replaced with plain strips – much easier! The triangles for these last three quilts were also cut from pre-stripped fabrics too.

We’ve probably strayed a bit from ‘scrappy’ at this point because the Tumbling quilts do need quite large pieces of fabric rather than scraps, although the last one with only three boxes didn’t use much.

We’ll be back next Sunday with yet more scrappy ideas.

Scrappy Sundays – from the 1960s

Another visit to The Cupboard at The Rural Office and another scrappy patchwork top to enjoy.  This was a gift to Barbara many years ago, the background information being that it was begun but not finished by schoolgirls in the 1960s as part of their Domestic Science & Needlework curriculum.  Scraps of all types and weights of fabrics have been used, several different colours of thread, some or most of the papers already removed – this is what some patchwork looked like in the very early days of the UK revival.  We’re including it in our Scrappy Sunday posts because it most certainly is scrappy and also the single honeycomb shape used links back to an earlier Scrappy post about the honeycomb shape. Enjoy the pics!

don’t you just love that blue and white poodle?

and because all quilters like to turn things over, here’s the reverse side –

many of the honeycomb “papers” were cut from embossed wallpaper –

 

A Challenge and a Diary Date

It’s very nearly November and this year The Corner Patch is holding a Challenge – all entries will be displayed at the Eccleshall Quilt Show on November 16th and 17th at Holy Trinity Church, Eccleshall. The Challenge (and the Show) have the title Take Two as this is the second Show at the church. You can download an entry form for the Challenge here – it must be returned by November 1st so that the display arrangements can be worked out but you have until the 15th Nov to get your entry to the shop. It can be in any crafting medium and incorporating/illustrating anything that includes the number 2. The aim of the Challenge is to raise money for The Autistic Society. Entries will be judged by the visitors and the winner will receive a gift voucher to be spent at The Corner Patch.

The last Show was a great success and we are hoping that this year’s will do just as well. The church will be filled with quilts, there will be craft stalls and demonstrations and John Scott from The Sewing Quarter will be presenting the prizes on Sunday afternoon.

This picture is one taken at the last show – Eccleshall is a lovely church and a very interesting little market town with lots of independent shops.

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We hope to see you there!

quilt show poster

Scrappy Sundays – more triangles

Barbara has branched out into other shapes and her collection of vintage quilts. Chris meanwhile is still playing with half-square triangles and Electric Quilt. This hasn’t been helped by Ann Jermey giving a talk on her quilts the other night – many of which featured scraps, and triangles in particular. She even made a quilt featuring different ways to put triangles together –

 

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So Chris came home and played around with EQ and some triangles, turning them this way and that, adding squares in or not . . .

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But these triangles have also been a feature of recent quilts. The other week at The Corner Patch Chris was teaching Roman Stripe – and what is it but half-square triangles. One half of the square is pieced with diagonal strips and the other is a ‘plain’ triangle. Just like the simple HST units these blocks can be put together in a variety of ways with or without plain squares and will create interesting designs.  Note that you can cheat and use a striped fabric instead of creating your own from strips.

By the way – the pattern for the Roman Stripe quilt used during the workshop is available from the Meadowside Pattern Store.

Another quilt Chris has been completing is one started several years ago when demonstrating ideas for 2 1/2 inch strips. These batik strips were paired with a white on white print. The problem was choosing a setting.

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You can cut up 10 inch (or other size) squares, join them back together in a random sort of way and then pair those resulting squares with a plain one to make HST units as well.

In fact the possibilities are a bit endless.

And so we leave you with another couple of Ann’s quilts . . . .

. . . . the first is just ordinary half-square triangles but sorted into colour families and arranged to make stars across the quilt (sorry its not a brilliant photo but I had to snatch an opportunity after the talk)

 

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This last one is another take on the strips plus plain triangle –

 

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More scrappy quilts and ideas next week.

PS We will play around with ‘crumb’ quilting and ‘improv’ piecing in future posts but we’d just like to point you to a blog with instructions for making crumb blocks using your scraps which will then go to the charity Siblings Together. Read all about it here.

Scrappy Sundays – a little bit of vintage

Barbara was recently rummaging through The Cupboard which houses her vintage quilt collection and brought out a patchwork top which seems to fit our Scrappy theme very well.  The patchwork has been made from a wide and charming variety of scrap fabrics and it looks as if the 60 degree diamonds might have first been made up into hexagon units and then put together.

Larger hexagons have been added in at the edges and the hexagon rosette at the centre is, in fact, composed of diamonds (see final pic below).  All very eclectic!

First, a detail of the reverse side – you can see both diamonds and hexagons here.

Notice that the fabric has not always been cut to a hexagon shape before being tacked over the papers;  in some instances there is almost as much fabric on the reverse as there is on the front.  It is possible that the maker began with appropriately sized squares of fabric to make her hexagons which would have involved less initial cutting and preparation of the patches.

Here’s roughly half of the quilt top showing the scrappy random arrangement of pieces and the unexpected selection of fabrics for the centre rosette –

and some details of the many different prints –

 

You can see from the above detail that this is a truly scrappy piece with very little organisation – lower right corner is one of the larger hexagons.

More vintage scrappiness at a later date …